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Baby's First Blocks Average Customer Review: Toy US | Canada | United Kingdom | Germany | France Editorial Review This deceptively simple toy will keep the brow of your toddler furrowed for hours. The challenge is this: Drop 15 plastic squares, triangles, and circles into the appropriate holes in the top of a cylinder. It takes a little show and tell from an adult, a little wiggling, and a dawning recognition that circles are circles, not squares or triangles. When your child finishes pushing the blocks through, she can take off the cover of the container, dump the pieces out, and start all over. One of our testers, a spirited 15-month-old, became so engrossed that he wouldn't look up long enough to give us a quote. "Leave me alone," he growled. "I'm problem-solving." --Elisa Murray ... Read more Reviews (80)
Asin: B00000IZN4 |
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Evil Dead II (Special Edition) by Anchor Bay Entertainment Average Customer Review: DVD (09 July, 2002) list price: $19.98 -- our price: $15.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Writer-director Sam Raimi's extremely stylized, blood-soaked follow-up to his creepy Evil Dead isn't really a sequel; rather, it's a remake on a better budget. It also isn't really a horror film (though there are plenty of decapitations, zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror genre. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Several teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods--miles from civilization--find a copy of the Book of the Dead, and unleash supernatural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effects and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever (done by Peter Deming). Although it went unnoticed in the theaters, the film has since become an influential cult-video favorite, paving the way for over-the-top comic gross-out films like Peter Jackson's Dead Alive. The DVD version presents the film in its original 1:85 to 1 aspect ratio, and includes the theatrical trailer. --Dave McCoy ... Read more Features Reviews (377)
Asin: 6305841861 |
$15.98 |
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George Foreman GR36CB Jumbo Size Plus Grill with Cookbook by George Foreman Average Customer Review: Kitchen list price: $119.99 -- our price: $79.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Offering large nonstick cooking, this jumbo-size version of thecelebrated George Foreman Lean Mean Fat-Reducing Grilling Machinegrills seven or eight burgers or chicken breasts at once. The electricappliance's appeal lies in its simplicity and countertopconvenience--not to mention its fat-fighting ability. The double-sided grill cooksburgers, steaks, chicken, sausage, fish, shrimp, and vegetables top andbottom in minutes. Grill marks not only look appetizing, theycontribute caramelized flavor. The bottom grill's deep grooves collectfat, and the grill is sloped so the fat runs off into a dishwasher-safeplastic tray (two included) stationed under the unit's front. Because the grill is nonstick, cleanup is a snap: a quick scrape with aplastic spatula (two included) and a quick wipe with a paper towel or asponge. Accompanying the grill is a 227-page cookbook containingrecipes for such lip-smacking dishes as Halibut with Avocado LemonCream, Dijon Flank Steak, New Orleans Pork Ribs, Stuffed Green ChileBurgers, and Garlic Stuffed Red Potatoes. The grill is clad in hard,gleaming, white plastic for a sleek appearance. --Fred Brack ... Read more Features Reviews (62)
Asin: B00005B6Z2 |
$79.99 |
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Wagner's Tannhäuser: Complete Opera by Elektra Average Customer Review: Audio CD (02 April, 2002) list price: $50.98 -- our price: $50.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review This vividly recorded new Tannhäuser has much to recommend it. DanielBarenboim's leadership not only keeps things moving so that the somewhatstilted drama actually takes wing, he elicits some of the most beautifulplaying ever from the Berlin State Opera forces: lush strings; pointed,crisp brass; reedy, articulate winds. Thomas Hampson's Wolfram is sensitiveand handsomely sung, if on a slightly small scale; Rene Pape is by far themost impressive Landgraf on disc; and the supporting cast is topnotch.Peter Seiffert sings the title role as well as anyone alive today could, butthe natural youth and brightness of his voice do not particularly suit thecharacter and his torment. Jane Eaglen's Elisabeth is correctly pure andsimple, and equally well sung. Waltraud Meier uses her unimpressive voicewell as Venus, underscoring the character's incredible sensuality with herintelligent use of the text. While this set has its excitements, better still is the one led by Sinopoli (with Domingo and Cheryl Studer) or the even older Solti recording (out of print) with Christa Ludwig as the finest Venus available and a very strongcast. --Robert Levine ... Read more Features Reviews (9)
Of course not. Barenboim is by now a supremely experienced and intelligent Wagner conductor, and he straddles the split personalities of this piece with ease, telling the story with a grip on the broader architecture whilst giving the individual scenes their own personalities. The Venusberg music is as sexy and languid as one could wish, whilst the Wartburg is all splendour and ceremony. the second act builds up a fine head of steam and the Rome Narration is gripping. The orchestral playing is absolutely beautiful, refined and phrased with suoreme care and attention to detail, and to my ear Barenboim's grip on pacing is superb. The (large-sounding) chorus, afforded so many marvellous opportunities in this piece, are excellent. Barenboim picks soloists very much of "his" team, and has a good rapport with them. Seiffert is thrilling, sounding youthful and ardent and tackling the taxing vocal lines - with their cruel excursions ever higher - without trouble. Rene Pape, popping up as the Landgrave/Marke/Heinrich all over the place, is for a good reason the Bass of choice nowadays for this repertoire. The tone is rock-solid, his German clear and idiomatic and his phrasing generous and expressive. The same could be said of Hampson, whose finely focused baritone is most welcome as Wolfram. It's not free of strain- the Wagner parts he is now taking on do test him a little - but the tone never thins and he uses the character's moments in extremis to paint an unusually involving portrait. And, thankfully, he doesn't wallow in the beauty of the Abendstern number - he thinks it through and makes uit a dramatic high point. Much ink (type?) has been spilt over the female singers (save Dorothea Roschmann who, all seem to agree, is luxurious as the Shepherd). It has taken me a long time to be won over by Eaglen's Elisabeth, but won over I am. I'd agree that this is a peculiar piece of casting, as we aren't used to big, mature-sounding voices in this role, and at her first entry she sounds rather like Isolde in a Very Bad Mood. However, as the piece progresses her use of dynamics, her attention to the text and the sheer security of her singing become ever more apparent. Her scaling down of the sound can pull it flat and she lacks the radiance of others who have gone before. But it's a portrayal that repays repeated listening. Meier's Vanus is a known quantity, and I'd agree that her voice is slenderer than in the past, but her technique and her dramatic involvement are undiminished. She is an artist who always throws in 110% and the first scene, where she and Seiffert make some real dramatic sparks fly, is gripping. I wouldn't chuck out Sinopoli for this recording - nor many older classics - but I would thoroughly recommend adding it to your collection, if only for the superb playing and conducting, as well as some exciting singing.
Asin: B00005UW19 |
$50.98 |
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Stiletto T114SC Titanium, Smooth Face, Curved Handle Framing Hammer by Stiletto Average Customer Review: Tools & Hardware list price: $78.99 -- our price: $66.49 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Features Reviews (4)
Asin: B000022661 |
$66.49 |
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Grand Theft Auto 3 by Rockstar Games Average Customer Review: CD-ROM (01 November, 2001) list price: $49.99 -- our price: $19.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review With Grand Theft Auto III, Rockstar proves that not alldevelopers are concerned with toning down the violence in their games. Thissequel is even more bloody, violent, and sadistic than its popular predecessors,offering up an enormous 3-D city in which nearly any criminal act is possible.Players are free to steal cars, beat up the local population for their money (orweapons), make time with prostitutes, or simply roam to their heart's content.Those seeking more structure can embark on dozens of plot-driven missions orsteal cars that let them play minigames. Nab a cop car and you can go onvigilante missions. Grab a cab and you can play a deadly version of CrazyTaxi. Take a fire truck and you can earn money putting out fires. The gamejust never gets boring. As in real life, there are consequences for your criminality. As your randomacts of mayhem mount up, the police start hounding you, eventually calling inSWAT trucks, the FBI, and even the army if you continue down the path ofdestruction. Shaking these pursuers is easily the most fun part of the game,especially when a bunch of friends are packed in the room to witness your narrowescapes. Grand Theft Auto III is fine-tuned to near perfection in every category.All the vehicles, from slick sports cars to lumbering dump trucks, handleexactly as you'd expect and smash apart realistically when abused. The threeislands in the game are rendered in terrific detail considering their size, andare packed with traffic, pedestrians, and hidden jumps. The audio is equallyamazing. Pedestrians talk, cops scream at you, and you can tune in ninedifferent radio stations whenever you are in a car. It all adds up to amonumental achievement: the rare console game for adults that manages to geteverything right. --T. Byrl Baker Pros:
Features Reviews (1256)
Asin: B00005O0I2 |
$19.99 |
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Riki-Oh: The Story of Ricky by Media Blasters, Inc Average Customer Review: VHS Tape (27 July, 1999) list price: $4.99 US | Canada | United Kingdom | Germany | France Editorial Review One of the most absurdly violent films ever made, this outrageous comic book of a movie is short on style but makes up for it in sheer audacity and excess. Brooding street kid Ricky Ho (Fan Siu Wang, playing the part of avenging angel with self-righteous earnestness) walks into the corrupt corporate prison system with superpowered martial arts skills and proceeds to punch his way through every bullying thug and sadistic guard who comes his way. Literally. His fist puts a gaping hole through the stomach of a giant sumo-wrestler-sized thug and the jaw of a pompadoured bully, and turns the skull of a pathetic guard into a bloody stump. As Ricky becomes a hero to the downtrodden prisoners, the assistant warden (who keeps breath mints in his removable glass eye) organizes the dreaded "gang of four," the cell block gang leaders, to take Ricky down. Fat chance! There's nothing realistic about the bone-shattering, blood-splattering spectacle of crushed heads and snapped limbs, but the unrestrained display becomes so preposterously grotesque it hardly matters. You'll be convinced that the "Oh" in Riki-Oh stands for "Oh my God, did I really see that?" Yes, Ricky really does tie a sliced tendon with his teeth, a thug cuts open his gut and uses his own intestines to strangle Ricky, and the warden (for no apparent reason) puffs himself up into a giant rubber ogre. Ricky's curvy, feminine nemesis Rogan is played by Yukari Oshima, the butt-kicking, all-woman star of Angel and others. --Sean Axmaker ... Read more Features Reviews (84)
Asin: 1890228648 |
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