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Downward Spiral Average Customer Review: Audio CD (08 March, 1994) list price: $17.98 -- our price: $13.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Nine Inch Nails are a pretty amazing phenomenon when one considers what they--um, he--have done with just a few studio recordings. The Downward Spiral, NIN's second full-length album, is just as packed with vitriol as Pretty Hate Machine and the EP Broken--and has just as solid a base of pop hooks that go a long way toward explaining NIN's popularity. Most recognizable is the down-tempo single "Closer," which remains a staple of dance clubs everywhere. But for the most part, the album is all heavy beats and aggressive guitars--industrial music with a pop angle. That winning combination is what makes Trent Reznor a law unto himself, becoming insanely popular while the main body of industrial music retains its subculture status. --Genevieve Williams ... Read more Features Reviews (518)
Asin: B000001Y5Z |
$13.99 |
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Lateralus Average Customer Review: Audio CD (15 May, 2001) list price: $18.98 -- our price: $13.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Everything about Tool's fourth album is an experience, starting with the packaging, which consists of liner credits printed on a translucent plastic sleeve over the CD and a booklet that layers anatomical representations atop one another--the first page pictures musculature and blood vessels; the next, bones; the third, internal organs; and so on. It's worth describing the packaging of Lateralus because it says much about the astonishing music within. Maynard James Keenan and company understand the expectations riding on this much-anticipated release and they've delivered the goods! While it remains in the Tool tradition of trance-inducing progressive metal, Lateralus is tighter, clearer, crisper, and all around a notch above their admirable previous releases. Aenima was marred by muddy production and a certain predictability. Undertow had a cleaner sound but wasn't as confident or adventurous. With Lateralus, Tool have raised an already lofty bar still higher by coming up with a collection that kicks major ass. --Genevieve Williams ... Read more Reviews (1541)
Asin: B00005B36H |
$13.99 |
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Dark Side of the Moon Average Customer Review: Audio CD (25 October, 1990) list price: $18.98 -- our price: $13.49 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Dark Side of the Moon, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very well because Pink Floyd doesn't rush anything; the songs are mainly slow to mid-tempo, with attention paid throughout to musical texture and mood. The sound effects on songs like "On the Run," "Time" and especially "Money" (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably Pink Floyd's best-known work, and it's an excellent place to start if you're new to the band. --Genevieve Williams ... Read more Reviews (1094)
Asin: B000002U82 |
$13.49 |
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Aenima Average Customer Review: Audio CD (01 October, 1996) list price: $18.98 -- our price: $13.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review With its heavy-duty distortion, weighty rhythms, and cynical lyrics, Tool is a heavy metal band for the '90s. Rather like Metallica circa ...And Justice for All, the sound is focused heavily on texture, with vocals and guitars layered one atop the other, and heart-pounding drums underlying everything. There's not a whole lot of variety on Tool's second full-length album--most of the songs start off fairly low-key, kicking into high gear for the chorus, and repeat--but Maynard James Keenan's distinctive voice, the prog-rock stylings over a heavy metal base, and a supremely unhealthy dose of vitriol make this the perfect album to bang your head to. --Genevieve Williams ... Read more Features Reviews (988)
Asin: B00000099Y |
$13.99 |
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Amnesiac Average Customer Review: Audio CD (05 June, 2001) list price: $17.98 -- our price: $9.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review More song-driven and acoustic than Kid A, Radiohead's Amnesiac isn't quite "Kid B," but it is unquestionably cut from the same far-out cloth, as the band revels in fascinating quirks and abject nihilism. It's also the first time in Radiohead's career that a new record hasn't meant a complete shift in artistic priorities. Surely, however, regardless of which was released first, they both deserve recognition; after all, Amnesiac, like Kid A, is an amazing piece of work. Only lightly augmented with electronics, songs like "You and Whose Army?" and "I Might Be Wrong" almost sound like they came from a typical five-piece rock band. You may even believe the band still employs a guitarist after hearing Jonny Greenwood's wistful surf-guitar lead on "Knives Out" or his subtle but noticeable contributions to the anticapitalist rant "Dollars and Cents." But inevitably, the band continually shifts gears, moving into Boards of Canada territory on "Like Spinning Plates" and delivering dark, bass-laden oddities like "Pulk/Pull Revolving Doors," a fuzzed-out piece of avant-garde techno that could just as easily be on an Autechre or Aphex Twin record. The song's half-sung, half-spoken vocal was laid down by either a heavily distorted Thom Yorke or, just perhaps, a loquacious microwave oven. Either way, the music always has momentum, regardless of whether propelled by man or appliance. Radiohead as a band understand how to make rock interesting again, and in the end, that's all they set out to do when they recorded Amnesiac, as well as Kid A. It's more than can be said for the bad frat-punk, teen-pop and soulless techno that currently rules the charts, and for that alone, Radiohead's astonishing exploration of 21st-century anguish deserves credit. --Matthew Cooke ... Read more Reviews (759)
Asin: B00005B4GU |
$9.99 |
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Nine Inch Nails: Self-Destruct Average Customer Review: Paperback (01 October, 1997) list price: $13.95 -- our price: $11.16 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (34)
Isbn: 031215612X |
$11.16 |
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A Grand Madness, Ten Years on the Road with U2 Average Customer Review: Paperback (01 July, 1999) list price: $16.95 -- our price: $11.53 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (23)
The reports of the band's wardrobe for each show get old *very* quickly, as did what the author and her friends ate for dinner each night and where they ate it! She mentions over and over again that her favorite song is "Bad" and each performance the Edge gives is "the best one she's ever seen!" Grammatical and spelling errors run high in this book. Did anyone edit this before it went to print? I know that nobody did any fact checking, because it's full of factual errors. Maybe I'm being a little harsh... I'm assuming it is supposed to be a little diary after all, but if she's such a big fan of the band, shouldn't she know where Adam Clayton is originally from? This book really isn't worth the money, just a laugh or two. ... Read more Isbn: 0965618811 |
$11.53 |
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Yo! Sacramento Average Customer Review: Paperback (01 July, 1997) list price: $7.95 US | Canada | United Kingdom | Germany | France Reviews (7)
I have to say, however, I prefer the Millard Filmore book to the Sacramento one, primarily because 'Millard' is designed as a series -- an element from each picture is carried into the next in order to reinforce the historical sequence.This not only teaches the sequence, but it helped me with the actual memorization -- I know I haven't left any presidents out.'Sacramento' is a group of unconnected pictures, which may connect the capitals to their states -- and generally link the states with their geographic region, but doesn't guarantee you have all the states. ("Oops! I only counted 47! Which ones did I leave out?") If I could wish for anything besides additional titles in this series, it would be that 'Sacramento' could be rewritten to link the states together from east to west or alphabetically or even in order of admission to the union, so you end up with all 50 states in your brain.
Isbn: 0761302379 |
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Yo, Millard Fillmore! (And All Those Other Presidents You Don't Know) Average Customer Review: Paperback (01 July, 1997) list price: $7.95 -- our price: $7.95 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (14)
Isbn: 0761302360 |
$7.95 |
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The Long Hard Road Out of Hell Average Customer Review: Paperback (01 April, 1999) list price: $16.00 -- our price: $10.88 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review One doesn't usually think of rock stars as insightful, but, against all odds, glam-trash superstar Marilyn Manson has written a book that is actually an intelligent look at growing up. This autobiographical bildungsroman brings out the creepiest aspects of childhood, conveying the terror and fascination that young Marilyn (then called Brian) felt when looking through his grandfather's pornography, getting his first French kiss, and being taunted by the girls he wanted to "date." Manson has the benefit of having grown up as an outcast and loser and then having become a star without forgetting what he went through. This gives him an incredibly broad perspective, which he brings to bear on his ordinary life in order to convey the more potent and frightening moments that shaped him into the pale-skinned weirdo that the Christian Right loves to hate.Best of all, Manson is shockingly honest, and portrays himself as occasionally stupid, self-centered, over-sensitive, ignoble, and, mostly, highly fallible and human. It's a long way from the auto-hagiographies that other stars have written, and it's easily one of the best reads in celebrity bio. --James DiGiovanna ... Read more Reviews (380)
Isbn: 0060987464 |
$10.88 |
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Office Space by Director: Mike Judge Average Customer Review: VHS Tape (01 February, 2000) list price: $9.98 -- our price: $9.48 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Ever spend eight hours in a "Productivity Bin"? Ever had worries about layoffs? Ever had the urge to demolish a temperamental printer or fax machine? Ever had to endure a smarmy, condescending boss? Then Office Space should hit pretty close to home for you. Peter (Ron Livingston) spends the day doing stupefyingly dull computer work in a cubicle. He goes home to an apartment sparsely furnished by IKEA and Target, then starts for a maddening commute to work again in the morning. His coworkers in the cube farm are an annoying lot, his boss is a snide, patronizing jerk, and his days are consumed with tedium. In desperation, he turns to career hypnotherapy, but when his hypno-induced relaxation takes hold, there's no shutting it off. Layoffs are in the air at his corporation, and with two coworkers (both of whom are slated for the chute) he devises a scheme to skim funds from company accounts. The scheme soon snowballs, however, throwing the three into a panic until the unexpected happens and saves the day. Director Mike Judge has come up with a spot-on look at work in corporate America circa 1999. With well-drawn characters and situations instantly familiar to the white-collar milieu, he captures the joylessness of many a cube denizen's work life to a T. Jennifer Aniston plays Peter's love interest, a waitress at Chotchkie's, a generic beer-and-burger joint à la Chili's, and Diedrich Bader (The Drew Carey Show) has a minor but hilarious turn as Peter's mustached, long-haired, drywall-installin' neighbor. --Jerry Renshaw ... Read more Features Reviews (554)
Asin: 6305499365 |
$9.48 |
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South Park - Bigger, Longer & Uncut by Director: Trey Parker Average Customer Review: VHS Tape (01 April, 2003) list price: $9.95 -- our price: $9.45 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review OK, let's get all the disclaimers out of the way first. Despite its colorful (if crude) animation, South Park: Bigger, Longer & Uncut is in no way meant for kids. It is chock full of profanity that might even make Quentin Tarantino blanch and has blasphemous references to God, Satan, Saddam Hussein (who's sleeping with Satan, literally), and Canada. It's rife with scatological humor, suggestive sexual situations, political incorrectness, and gleeful, rampant vulgarity. And it's probably one of the most brilliant satires ever made. The plot: flatulent Canadian gross meisters Terrance and Philip hit the big screen, and the South Park quartet of third graders--Stan, Kyle, Kenny, and Cartman--begin repeating their profane one-liners ad infinitum. The parents of South Park, led by Kyle's overbearing mom, form "Mothers Against Canada," blaming their neighbors to the north for their children's corruption and taking Terrance and Philip as war prisoners. It's up to the kids then to rescue their heroes from execution, not mention a brooding Satan, who's planning to take over the world. To give away any more of the plot would destroy the fun, but this feature-length version of Trey Parker and Matt Stone's Comedy Central hit is a dead-on and hilarious send-up of pop culture. And did we mention it's a musical? From the opening production number "Mountain Town" to the cheerful antiprofanity sing-along "It's Easy, MMMKay" to Satan's faux-Disney ballad "Up There," Parker (who wrote or cowrote all the songs) brilliantly shoots down every earnest musical from Beauty and the Beast to Les Misérables. And in advocating free speech and satirizing well-meaning but misguided parental censorship groups (with a special nod to the MPAA), Bigger, Longer & Uncut hits home against adult paranoia and hypocrisy with a vengeance. And the jokes, while indeed vulgar and gross, are hysterical; we can't repeat them here, especially the lyrics to Terrance and Philip's hit song, but you'll be rolling on the floor. Don't worry, though--to paraphrase Cartman, this movie won't warp your fragile little mind. Unless you have something against the First Amendment. --Mark Englehart ... Read more Features Reviews (541)
Asin: 6305627347 |
$9.45 |
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American Beauty (The Awards Edition) by Director: Sam Mendes Average Customer Review: VHS Tape (24 October, 2000) list price: $9.99 US | Canada | United Kingdom | Germany | France Editorial Review From its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave. It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctionalAmerican families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders.A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence. Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam Sutherland ... Read more Features Reviews (1056)
Asin: B00004U30D |
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Road Trip by Director: Todd Phillips Average Customer Review: VHS Tape (13 August, 2002) list price: $7.25 -- our price: $6.89 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Road Trip is a mostly agreeable, by-the-numbers teenflick with a handful of inspired sequences, most of them involvingMTV's resident disturbed soul, Tom Green. It concerns a sleepyUniversity of Ithaca student named Josh (Breckin Meyer) whoaccidentally mails a video of his sexual encounter with an infatuation(Amy Smart) to his longtime girlfriend (Rachel Blanchard), who'sseemingly avoiding him while at school in Austin, Texas. Naturally, herecruits some buddies--Seann William Scott as the lech, D.J. Qualls asthe hopeless nerd, and Paulo Costanzo as the doper genius--to hit theopen highway and intercept the package. Even more naturally, mayhemensues: A car explodes, a bus is stolen, a nerd is deflowered, Frenchtoast is horribly violated, and an elderly man bogarts both pot andViagra. The film's humor is more democratic than politically correct, aseveryone--women and minority characters, not just the hipster whiteguys--have a hand in the high jinks. Green plays Barry Manilow (no, notthat one), a professional student (eight years and counting)--herelates the film's story to skeptical prospective students whileleading them on a tour of the college--and thrill-seeking dork extraordinaire. In particular, in an already justly famous sequence ofscenes, he sadistically anticipates and endeavors to accelerate amouse's demise at the jaws of a python. It's very much in the vein ofAmerican Pie, perhaps a smidgen tamer, but at least itscharacters don't really learn any dopey lessons in the end. Directorand coscreenwriter Todd Phillips, who earlier made the much-questioneddocumentary Frat House, again proves he's more adept at staging fictional comic sequences than real ones. --David Kronke ... Read more Features Reviews (146)
Asin: B0000520Q1 |
$6.89 |
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Half Baked by Director: Tamra Davis Average Customer Review: VHS Tape (15 December, 1998) list price: $9.98 US | Canada | United Kingdom | Germany | France Editorial Review Cannabis comedy doesn't get more juvenile than this pro-pot goof about three stoners who come to the rescue of a fourth buddy when he's arrested for feeding a lethal dose of junk food to a diabetic police horse. Kenny (Harland Williams) is sent to jail, and to rescue him from the almost inevitable trauma of homosexual rape (giving you some idea of this movie's level of humor), his buddies set out to raise his $100,000 bail by selling high-grade weed ripped off from a pharmaceutical research lab. That's about it for the plot; the rest of the movie's a parade of marijuana jokes and amusing pot-friendly cameos by the likes of Snoop Dog, Willie Nelson, and Janeane Garofalo. As two of the bong-hitting buddies, Jim Breuer (from Saturday Night Live) and comedian Dave Chappelle do their best to disguise the movie's lack of inspiration. But no matter how hard they try to milk laughs from the one-joke premise, they can't stop the movie's title from being an apt description of the movie itself. -- Jeff Shannon ... Read more Features Reviews (173)
Asin: 0783225261 |
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Golden Eye 007 Average Customer Review: Game Cartridge (01 November, 1999) list price: $39.99 US | Canada | United Kingdom | Germany | France Editorial Review GoldenEye 007 has been a huge success for Rareware, and it's easy to see why. More than a simple movie translation, this has earned its top-seller status on its own. Fans of Doom and Quake will recognize the first-person shooter perspective, but there the similarity ends. James Bond 007 has too much style to simply blast everything in sight and move to the next level. No, as 007, the player has a variety of different missions to perform, each with its own specific objectives. Each mission follows the film closely, and so James must use stealth and cunning as much as brute force. But if you see a Kalashnikov rifle lying around, by all means pick it up. Controls are easy to master, which is impressive considering the variety of actions the onscreen hero can perform. James can run and walk at variable speeds, duck, pivot, hide, attach mines to enemy helicopters, block doors from opening, and more. The optional auto-aim feature is especially nice. Of course, James Bond is proficient in a wide variety of weapons. You get to use them all, from the trusty Walther PPK (with silencer) to double sets of full-auto machine guns. The game's faithful tribute to the Bond legacy includes briefing dossiers on each mission, complete with wisecracks from Q and flirtatious comments from Moneypenny. And the 3-D representation of locations and characters from the movie is very impressive. The Rareware team spent time on the set with digital cameras, and it shows. One of the distinguishing features of the game is the outstanding artificial intelligence of the enemies. When attacked, squads will rush to hit the alarm. If they make it, reinforcements come running. Enemy soldiers respond to being shot or blown up with chilling realism. According to Rareware, there are over 30 different animation routines that come into play, depending on where the soldier is hit. For those who prefer the challenge of human opponents, there are six clever multiplayer modes where up to four players can shoot it out, as teams or solo agents. With excellent gameplay, intelligence, and style, GoldenEye 007 is a first-person shooter that'll keep you coming back for more. --Jeanne Uy Pros:
Features Reviews (303)
Asin: B00000DMAT |
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Mario Kart 64 Average Customer Review: Game Cartridge (01 November, 1999) US | Canada | United Kingdom | Germany | France Editorial Review Mario Kart 64, one of the first games released for the Nintendo 64platform, is an updated translation of the very popular Super Mario Kart for theSuper NES (SNES). And while the game clearly takes full advantage of the graphicspower and speed of the N64, a few components that made the original so compellinghave been left out of this release. Still, Nintendo's expertise at sucking players into the game world is strongly evident, andMar |